Sabine Dusend

Sabine Dusend

Sabine Dusend

Sabine Dusend

Sabine Dusend

About

About

About

About

About

The overarching themes of the double exhibition memo by Sabine Dusend (b. 1985) and Morgaine Schäfer (b. 1989) are "memories" recorded or deleted by visual media. Sabine Dusend illustrates the process of deleting private and artistic images from the memory of her digital camera.

The photographic works of both artists form thematic and compositional parallels and in the overall view create not only cross-connections, but also extended spaces of thought and interpretation that relate the variability and intensity of pictorial memories to media-reflexive and media-critical discourses.

The overarching themes of the double exhibition memo by Sabine Dusend (b. 1985) and Morgaine Schäfer (b. 1989) are "memories" recorded or deleted by visual media. Sabine Dusend illustrates the process of deleting private and artistic images from the memory of her digital camera.


The photographic works of both artists form thematic and compositional parallels and in the overall view create not only cross-connections, but also extended spaces of thought and interpretation that relate the variability and intensity of pictorial memories to media-reflexive and media-critical discourses.

The overarching themes of the double exhibition memo by Sabine Dusend (b. 1985) and Morgaine Schäfer (b. 1989) are "memories" recorded or deleted by visual media. Sabine Dusend illustrates the process of deleting private and artistic images from the memory of her digital camera.


The photographic works of both artists form thematic and compositional parallels and in the overall view create not only cross-connections, but also extended spaces of thought and interpretation that relate the variability and intensity of pictorial memories to media-reflexive and media-critical discourses.

The overarching themes of the double exhibition memo by Sabine Dusend (b. 1985) and Morgaine Schäfer (b. 1989) are "memories" recorded or deleted by visual media. Sabine Dusend illustrates the process of deleting private and artistic images from the memory of her digital camera.

The photographic works of both artists form thematic and compositional parallels and in the overall view create not only cross-connections, but also extended spaces of thought and interpretation that relate the variability and intensity of pictorial memories to media-reflexive and media-critical discourses.

Selected works

Selected works

Selected works

Selected works

Selected works

1. Löschen (Selbst IV), 2019, InkJet Print, 55 x 70 cm

2. Löschen (EUR VI), 2019, InkJet Print, 60 x 45 cm

3. Löschen (Mund I), 2019, InkJet Print, 55 x 70 cm

4. Löschen (EUR VI), 2019, InkJet Print, 60 x 45 cm

1.  Löschen (Selbst IV), 2019, InkJet Print,
    55 x 70 cm

2. Löschen (EUR VI), 2019, InkJet Print,
    60 x 45 cm

3. Löschen (Mund I), 2019, InkJet Print,
    55 x 70 cm

4. Löschen (EUR VI), 2019, InkJet Print,
    60 x 45 cm

1. Löschen (Selbst IV), 2019, InkJet Print, 55 x 70 cm

2. Löschen (EUR VI), 2019, InkJet Print, 60 x 45 cm

3. Löschen (Mund I), 2019, InkJet Print, 55 x 70 cm

4. Löschen (EUR VI), 2019, InkJet Print, 60 x 45 cm

1.  Löschen (Selbst IV), 2019, InkJet Print,
    55 x 70 cm

2. Löschen (EUR VI), 2019, InkJet Print,
    60 x 45 cm

3. Löschen (Mund I), 2019, InkJet Print,
    55 x 70 cm

4. Löschen (EUR VI), 2019, InkJet Print,
    60 x 45 cm

©2021
SETAREH X

©2021
SETAREH X

©2021
SETAREH X

©2021
SETAREH X

©2021
SETAREH X

Instagram         Artsy         Facebook

Instagram         Artsy         Facebook

Instagram         Artsy         Facebook

Instagram         Artsy         Facebook

Instagram         Artsy         Facebook