5.11.—17.12.18
Nils Bleibtreu
Café Defizit

5.11.—17.12.18
Nils Bleibtreu
Café Defizit

5.11.—17.12.18
Nils Bleibtreu
Café Defizit

5.11.—17.12.18
Nils Bleibtreu
Café Defizit

5.11.—17.12.18
Nils Bleibtreu
Café Defizit

SETAREH is delighted to present the second exhibition in its new premises with a solo show of Nils Bleibtreu.

The title Café Defizit already refers to an important approach by Nils Bleibtreu.

Beyond the tribute to a bar in Vienna, which Bleibtreu had paid during his stay there the name opens the reference to the allegedly wrong and broken, which is a crucial starting point in Bleibtreu's artistic work.

Bleibtreu understands the deficits and imperfections as a valuable quality for creating unusual to find possibilities for a work. Among other things, this can be seen in the materials that are used for the works are used, namely they are mainly building materials such as corrugated polyester, Painter's fleece, scratch plaster but also dust, sand and 'studio remains'.

The striking colouring in many of his works is due to the use of car paints,

 

SETAREH is delighted to present the second exhibition in its new premises with a solo show of Nils Bleibtreu.

The title Café Defizit already refers to an important approach by Nils Bleibtreu.

Beyond the tribute to a bar in Vienna, which Bleibtreu had paid during his stay there the name opens the reference to the allegedly wrong and broken, which is a crucial starting point in Bleibtreu's artistic work.

Bleibtreu understands the deficits and imperfections as a valuable quality for creating unusual to find possibilities for a work. Among other things, this can be seen in the materials that are used for the works are used, namely they are mainly building materials such as corrugated polyester, Painter's fleece, scratch plaster but also dust, sand and 'studio remains'.

The striking colouring in many of his works is due to the use of car paints,

 

 

SETAREH is delighted to present the second exhibition in its new premises with a solo show of Nils Bleibtreu.

The title Café Defizit already refers to an important approach by Nils Bleibtreu.

Beyond the tribute to a bar in Vienna, which Bleibtreu had paid during his stay there the name opens the reference to the allegedly wrong and broken, which is a crucial starting point in Bleibtreu's artistic work.

Bleibtreu understands the deficits and imperfections as a valuable quality for creating unusual to find possibilities for a work. Among other things, this can be seen in the materials that are used for the works are used, namely they are mainly building materials such as corrugated polyester, Painter's fleece, scratch plaster but also dust, sand and 'studio remains'.

The striking colouring in many of his works is due to the use of car paints,

SETAREH is delighted to present the second exhibition in its new premises with a solo show of Nils Bleibtreu.

The title Café Defizit already refers to an important approach by Nils Bleibtreu.

Beyond the tribute to a bar in Vienna, which Bleibtreu had paid during his stay there the name opens the reference to the allegedly wrong and broken, which is a crucial starting point in Bleibtreu's artistic work.

Bleibtreu understands the deficits and imperfections as a valuable quality for creating unusual to find possibilities for a work. Among other things, this can be seen in the materials that are used for the works are used, namely they are mainly building materials such as corrugated polyester, Painter's fleece, scratch plaster but also dust, sand and 'studio remains'.

The striking colouring in many of his works is due to the use of car paints,

SETAREH is delighted to present the second exhibition in its new premises with a solo show of Nils Bleibtreu.

The title Café Defizit already refers to an important approach by Nils Bleibtreu.

Beyond the tribute to a bar in Vienna, which Bleibtreu had paid during his stay there the name opens the reference to the allegedly wrong and broken, which is a crucial starting point in Bleibtreu's artistic work.

Bleibtreu understands the deficits and imperfections as a valuable quality for creating unusual to find possibilities for a work. Among other things, this can be seen in the materials that are used for the works are used, namely they are mainly building materials such as corrugated polyester, Painter's fleece, scratch plaster but also dust, sand and 'studio remains'.

The striking colouring in many of his works is due to the use of car paints,

which are sprayed with a paint spray gun. The paintbrush is used to spray the paint, which requires a lot of speed. Spraying also means that the artist has to engage to a certain extent in randomness.

The abandonment of control plays an elementary role in the dense layers of the works.

The artist is able to direct and change the process, but not completely determine it, thus giving the material a certain autonomy during the development of the work of art.

In order to return to the homage to the deficit, the recurring principle of sampling one's own works, the collage-like form, but also the emergence and the creation of a new and a whole - an enrichment is formed from the deficit.

which are sprayed with a paint spray gun. The paintbrush is used to spray the paint, which requires a lot of speed. Spraying also means that the artist has to engage to a certain extent in randomness.

The abandonment of control plays an elementary role in the dense layers of the works.

The artist is able to direct and change the process, but not completely determine it, thus giving the material a certain autonomy during the development of the work of art.

In order to return to the homage to the deficit, the recurring principle of sampling one's own works, the collage-like form, but also the emergence and the creation of a new and a whole - an enrichment is formed from the deficit.

which are sprayed with a paint spray gun. The paintbrush is used to spray the paint, which requires a lot of speed. Spraying also means that the artist has to engage to a certain extent in randomness.

The abandonment of control plays an elementary role in the dense layers of the works.

The artist is able to direct and change the process, but not completely determine it, thus giving the material a certain autonomy during the development of the work of art.

In order to return to the homage to the deficit, the recurring principle of sampling one's own works, the collage-like form, but also the emergence and the creation of a new and a whole - an enrichment is formed from the deficit.

which are sprayed with a paint spray gun. The paintbrush is used to spray the paint, which requires a lot of speed. Spraying also means that the artist has to engage to a certain extent in randomness.

The abandonment of control plays an elementary role in the dense layers of the works.

The artist is able to direct and change the process, but not completely determine it, thus giving the material a certain autonomy during the development of the work of art.

In order to return to the homage to the deficit, the recurring principle of sampling one's own works, the collage-like form, but also the emergence and the creation of a new and a whole - an enrichment is formed from the deficit.

which are sprayed with a paint spray gun. The paintbrush is used to spray the paint, which requires a lot of speed. Spraying also means that the artist has to engage to a certain extent in randomness.

The abandonment of control plays an elementary role in the dense layers of the works.

The artist is able to direct and change the process, but not completely determine it, thus giving the material a certain autonomy during the development of the work of art.

In order to return to the homage to the deficit, the recurring principle of sampling one's own works, the collage-like form, but also the emergence and the creation of a new and a whole - an enrichment is formed from the deficit.

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Hohe Straße 53

40213 Düsseldorf Germany

Hohe Straße 53

40213 Düsseldorf, Germany

Hohe Straße 53

40213 Düsseldorf, Germany

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©2020
SETAREH X

©2020
SETAREH X

©2020
SETAREH X

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