Manuel Stehli

Manuel Stehli

Manuel Stehli

Manuel Stehli

Manuel Stehli

About

About

About

In their clear contours, Manuel Stehli's paintings are reminiscent of computer graphics from the early 2000s. In their apparent reduction and schematized representation, these image constructions are devoted decisively to groups of people, postures and gestures and describe these withdrawn impressions in a sensitive realism.
 
Manuel Stehli (b. 1988 in Zurich) studied under Annette Schröter at the HGB Leipzig and at the Camberwell Collage of Arts in London under Daniel Sturgis. Last year he was awarded the Windsor & Newton Residency at Künstlerhaus Bethanien. Throughout his early artistic career, he has already had numerous exhibitions at home and abroad.ulture” and describes the products of fan culture and its heraldry in merchandising as images of society.
 

In their clear contours, Manuel Stehli's paintings are reminiscent of computer graphics from the early 2000s. In their apparent reduction and schematized representation, these image constructions are devoted decisively to groups of people, postures and gestures and describe these withdrawn impressions in a sensitive realism.
 
Manuel Stehli (b. 1988 in Zurich) studied under Annette Schröter at the HGB Leipzig and at the Camberwell Collage of Arts in London under Daniel Sturgis. Last year he was awarded the Windsor & Newton Residency at Künstlerhaus Bethanien. Throughout his early artistic career, he has already had numerous exhibitions at home and abroad.ulture” and describes the products of fan culture and its heraldry in merchandising as images of society.

In their clear contours, Manuel Stehli's paintings are reminiscent of computer graphics from the early 2000s. In their apparent reduction and schematized representation, these image constructions are devoted decisively to groups of people, postures and gestures and describe these withdrawn impressions in a sensitive realism.
 
Manuel Stehli (b. 1988 in Zurich) studied under Annette Schröter at the HGB Leipzig and at the Camberwell Collage of Arts in London under Daniel Sturgis. Last year he was awarded the Windsor & Newton Residency at Künstlerhaus Bethanien. Throughout his early artistic career, he has already had numerous exhibitions at home and abroad.ulture” and describes the products of fan culture and its heraldry in merchandising as images of society.

In their clear contours, Manuel Stehli's paintings are reminiscent of computer graphics from the early 2000s. In their apparent reduction and schematized representation, these image constructions are devoted decisively to groups of people, postures and gestures and describe these withdrawn impressions in a sensitive realism.
 
Manuel Stehli (b. 1988 in Zurich) studied under Annette Schröter at the HGB Leipzig and at the Camberwell Collage of Arts in London under Daniel Sturgis. Last year he was awarded the Windsor & Newton Residency at Künstlerhaus Bethanien. Throughout his early artistic career, he has already had numerous exhibitions at home and abroad.ulture” and describes the products of fan culture and its heraldry in merchandising as images of society.

In their clear contours, Manuel Stehli's paintings are reminiscent of computer graphics from the early 2000s. In their apparent reduction and schematized representation, these image constructions are devoted decisively to groups of people, postures and gestures and describe these withdrawn impressions in a sensitive realism.
 
Manuel Stehli (b. 1988 in Zurich) studied under Annette Schröter at the HGB Leipzig and at the Camberwell Collage of Arts in London under Daniel Sturgis. Last year he was awarded the Windsor & Newton Residency at Künstlerhaus Bethanien. Throughout his early artistic career, he has already had numerous exhibitions at home and abroad.ulture” and describes the products of fan culture and its heraldry in merchandising as images of society.

Selected works

Selected works

Selected works

1. Untitled, Oil on canvas, 220 x 170 cm

2. Untitled (Festung I), Oil on canvas, 40 x 50 cm

3. Untitled, Oil on canvas, 170 x 220 cm

4. Untitled (Hochnebel), Oil on canvas, 30 x 36 cm

5. Untitled (Bodennebel), Oil on canvas, 30 x 36 cm

6. Untitled, Oil on canvas, 170 x 220 cm

7. Untitled, Oil on canvas, 185 x 240 cm

1. Untitled, Oil on canvas, 220 x 170 cm

2. Untitled (Festung I), Oil on canvas, 40 x 50 cm

3. Untitled, Oil on canvas, 170 x 220 cm

4. Untitled (Hochnebel), Oil on canvas, 30 x 36 cm

5. Untitled (Bodennebel), Oil on canvas, 30 x 36 cm

6. Untitled, Oil on canvas, 170 x 220 cm

7. Untitled, Oil on canvas, 185 x 240 cm

 

 

1. Untitled, Oil on canvas, 220 x 170 cm

2. Untitled (Festung I), Oil on canvas, 40 x 50 cm

3. Untitled, Oil on canvas, 170 x 220 cm

4. Untitled (Hochnebel), Oil on canvas, 30 x 36 cm

5. Untitled (Bodennebel), Oil on canvas, 30 x 36 cm

6. Untitled, Oil on canvas, 170 x 220 cm

7. Untitled, Oil on canvas, 185 x 240 cm

1. Untitled, Oil on canvas, 220 x 170 cm

2. Untitled (Festung I), Oil on canvas, 40 x 50 cm

3. Untitled, Oil on canvas, 170 x 220 cm

4. Untitled (Hochnebel), Oil on canvas, 30 x 36 cm

5. Untitled (Bodennebel), Oil on canvas, 30 x 36 cm

6. Untitled, Oil on canvas, 170 x 220 cm

7. Untitled, Oil on canvas, 185 x 240 cm

1. Untitled, Oil on canvas, 220 x 170 cm

2. Untitled (Festung I), Oil on canvas, 40 x 50 cm

3. Untitled, Oil on canvas, 170 x 220 cm

4. Untitled (Hochnebel), Oil on canvas, 30 x 36 cm

5. Untitled (Bodennebel), Oil on canvas, 30 x 36 cm

6. Untitled, Oil on canvas, 170 x 220 cm

7. Untitled, Oil on canvas, 185 x 240 cm

©2021
SETAREH X

©2021
SETAREH X

©2021
SETAREH X

©2021
SETAREH X

©2021
SETAREH X

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