Janes Haid-
Schmallenberg

Janes Haid-Schmallen
berg

Janes Haid-Schmallenberg

Janes Haid-Schmallenberg

Janes Haid-Schmallenberg

About

About

About

In a new series of paintings and sculptures, Haid-Schmallenberg has created fantastical creatures, cats, dogs, birds and human-like figures that find their individual entry into living scenes. The pictorial space of the canvases is reminiscent of stage sets in that it is structured by abstract colour surfaces and interiors such as plants, flower pots or vehicles. The texts used and the artist's signature are placed on the canvases in such a way that the monochrome colour surfaces become spatial arrangements and associations with comics. Busts of glazed ceramics placed in front of and next to the paintings add a spatial component to the staging on the canvases.

Janes Haid-Schmallenberg (born 1988) was a Meisterschüler of Prof. Siegfried Anzinger and exhibited in solo exhibitions at Storage Capacité Berlin, Gallery Hoorn & Reniers, The Hague or Galerie Villa Köppe, Berlin and participated in group exhibitions at the Grimmuseum, Berlin, Studio Chrom, Bolzano or in a group exhibition curated by Johann König at the Funkhaus Berlin, 2018. Haid-Schmallenberg’s work is included in the public collections of the Kunstsammlung NRW, where he was also shown in a group exhibition in 2012.

 

In a new series of paintings and sculptures, Haid-Schmallenberg has created fantastical creatures, cats, dogs, birds and human-like figures that find their individual entry into living scenes. The pictorial space of the canvases is reminiscent of stage sets in that it is structured by abstract colour surfaces and interiors such as plants, flower pots or vehicles. The texts used and the artist's signature are placed on the canvases in such a way that the monochrome colour surfaces become spatial arrangements and associations with comics. Busts of glazed ceramics placed in front of and next to the paintings add a spatial component to the staging on the canvases.

Janes Haid-Schmallenberg (born 1988) was a Meisterschüler of Prof. Siegfried Anzinger and exhibited in solo exhibitions at Storage Capacité Berlin, Gallery Hoorn & Reniers, The Hague or Galerie Villa Köppe, Berlin and participated in group exhibitions at the Grimmuseum, Berlin, Studio Chrom, Bolzano or in a group exhibition curated by Johann König at the Funkhaus Berlin, 2018. Haid-Schmallenberg’s work is included in the public collections of the Kunstsammlung NRW, where he was also shown in a group exhibition in 2012.

 

In a new series of paintings and sculptures, Haid-Schmallenberg has created fantastical creatures, cats, dogs, birds and human-like figures that find their individual entry into living scenes. The pictorial space of the canvases is reminiscent of stage sets in that it is structured by abstract colour surfaces and interiors such as plants, flower pots or vehicles. The texts used and the artist's signature are placed on the canvases in such a way that the monochrome colour surfaces become spatial arrangements and associations with comics. Busts of glazed ceramics placed in front of and next to the paintings add a spatial component to the staging on the canvases.

Janes Haid-Schmallenberg (born 1988) was a Meisterschüler of Prof. Siegfried Anzinger and exhibited in solo exhibitions at Storage Capacité Berlin, Gallery Hoorn & Reniers, The Hague or Galerie Villa Köppe, Berlin and participated in group exhibitions at the Grimmuseum, Berlin, Studio Chrom, Bolzano or in a group exhibition curated by Johann König at the Funkhaus Berlin, 2018. Haid-Schmallenberg’s work is included in the public collections of the Kunstsammlung NRW, where he was also shown in a group exhibition in 2012.

 

In a new series of paintings and sculptures, Haid-Schmallenberg has created fantastical creatures, cats, dogs, birds and human-like figures that find their individual entry into living scenes. The pictorial space of the canvases is reminiscent of stage sets in that it is structured by abstract colour surfaces and interiors such as plants, flower pots or vehicles. The texts used and the artist's signature are placed on the canvases in such a way that the monochrome colour surfaces become spatial arrangements and associations with comics. Busts of glazed ceramics placed in front of and next to the paintings add a spatial component to the staging on the canvases.

Janes Haid-Schmallenberg (born 1988) was a Meisterschüler of Prof. Siegfried Anzinger and exhibited in solo exhibitions at Storage Capacité Berlin, Gallery Hoorn & Reniers, The Hague or Galerie Villa Köppe, Berlin and participated in group exhibitions at the Grimmuseum, Berlin, Studio Chrom, Bolzano or in a group exhibition curated by Johann König at the Funkhaus Berlin, 2018. Haid-Schmallenberg’s work is included in the public collections of the Kunstsammlung NRW, where he was also shown in a group exhibition in 2012.

 

In a new series of paintings and sculptures, Haid-Schmallenberg has created fantastical creatures, cats, dogs, birds and human-like figures that find their individual entry into living scenes. The pictorial space of the canvases is reminiscent of stage sets in that it is structured by abstract colour surfaces and interiors such as plants, flower pots or vehicles. The texts used and the artist's signature are placed on the canvases in such a way that the monochrome colour surfaces become spatial arrangements and associations with comics. Busts of glazed ceramics placed in front of and next to the paintings add a spatial component to the staging on the canvases.

Janes Haid-Schmallenberg (born 1988) was a Meisterschüler of Prof. Siegfried Anzinger and exhibited in solo exhibitions at Storage Capacité Berlin, Gallery Hoorn & Reniers, The Hague or Galerie Villa Köppe, Berlin and participated in group exhibitions at the Grimmuseum, Berlin, Studio Chrom, Bolzano or in a group exhibition curated by Johann König at the Funkhaus Berlin, 2018. Haid-Schmallenberg’s work is included in the public collections of the Kunstsammlung NRW, where he was also shown in a group exhibition in 2012.

 


Selected works

Selected works

Selected works

Selected works

Selected works

1. Büste (hellblau, panisch), 2019, Glazed ceramic,
33 x 28 x 24 cm

2. Early Invasion, 2019, Oil and acrylic on canvas,
210 x 340 cm

3. Delirium, 2019, Oil and acrylic, 175 x 140 cm

4. In Würde wachsen, 2019, Oil and acrylic on canvas,
130 x 120 cm

5. Büste (beige-braun, verdutzt), 2019, Glazed ceramic,
25 x 21 x 17 cm

6. Was tun 1, 2019, Glazed ceramic, 29 x 25 x 25 cm

7. Der Lauf der Dinge (Zuhause ist manchmal auch funny), 2019, Oil and acrylic on canvas, 170 x 170 cm

1. Büste (hellblau, panisch), 2019, Glazed ceramic,
33 x 28 x 24 cm

2. Early Invasion, 2019, Oil and acrylic on canvas,
210 x 340 cm

3. Delirium, 2019, Oil and acrylic, 175 x 140 cm

4. In Würde wachsen, 2019, Oil and acrylic on canvas,
130 x 120 cm

5. Büste (beige-braun, verdutzt), 2019, Glazed ceramic,
25 x 21 x 17 cm

6. Was tun 1, 2019, Glazed ceramic, 29 x 25 x 25 cm

7. Der Lauf der Dinge (Zuhause ist manchmal auch funny), 2019, Oil and acrylic on canvas, 170 x 170 cm

 

 

1. Büste (hellblau, panisch), 2019, Glazed ceramic,
33 x 28 x 24 cm

2. Early Invasion, 2019, Oil and acrylic on canvas,
210 x 340 cm

3. Delirium, 2019, Oil and acrylic, 175 x 140 cm

4. In Würde wachsen, 2019, Oil and acrylic on canvas, 130 x 120 cm

5. Büste (beige-braun, verdutzt), 2019, Glazed ceramic, 25 x 21 x 17 cm

6. Was tun 1, 2019, Glazed ceramic, 29 x 25 x 25 cm

7. Der Lauf der Dinge (Zuhause ist manchmal auch funny), 2019, Oil and acrylic on canvas, 170 x 170 cm

1. Büste (hellblau, panisch), 2019, Glazed ceramic, 33 x 28 x 24 cm

2. Early Invasion, 2019, Oil and acrylic on canvas, 210 x 340 cm

3. Delirium, 2019, Oil and acrylic, 175 x 140 cm

4. In Würde wachsen, 2019, Oil and acrylic on canvas, 130 x 120 cm

5. Büste (beige-braun, verdutzt), 2019, Glazed ceramic, 25 x 21 x 17 cm

6. Was tun 1, 2019, Glazed ceramic, 29 x 25 x 25 cm

7. Der Lauf der Dinge (Zuhause ist manchmal auch funny), 2019, Oil and acrylic on canvas, 170 x 170 cm

1. Büste (hellblau, panisch), 2019, Glazed ceramic, 33 x 28 x 24 cm

2. Early Invasion, 2019, Oil and acrylic on canvas, 210 x 340 cm

3. Delirium, 2019, Oil and acrylic, 175 x 140 cm

4. In Würde wachsen, 2019, Oil and acrylic on canvas, 130 x 120 cm

5. Büste (beige-braun, verdutzt), 2019, Glazed ceramic, 25 x 21 x 17 cm

6. Was tun 1, 2019, Glazed ceramic, 29 x 25 x 25 cm

7. Der Lauf der Dinge (Zuhause ist manchmal auch funny), 2019, Oil and acrylic on canvas, 170 x 170 cm

Hohe Straße 53

40213 Düsseldorf Germany

Hohe Straße 53

40213 Düsseldorf, Germany

Hohe Straße 53

40213 Düsseldorf, Germany

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©2020
SETAREH X

©2020
SETAREH X

©2020
SETAREH X

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